The two letters written in 1826 transcribed below were written by a youthful Harriet/ Harriett Eliot to her father Major Eliot in London; she and her sister Eliza, who contributes a line to the first letter, are being polished and finished in Paris at an expense which may be placing a strain on the resources of their father. The first letter emphasises their frugality and the second the impressive educational and social opportunities which Mrs Forster is making available: virtually every name Harriett mentions can be followed up on a Wikipedia page. But the Eliots themselves remain elusive – I will amend this piece if I can find an account of them. The central figure of Mrs Forster, in whose Parisian family home they are staying and who is clearly charged with or taking responsibility for their education, is less elusive though fragmentary.
It
is easy enough to locate Mrs Forster in relation to her father and husband,
less so in her own right. Lavinia Forster was born in 1775 the only child of
the monumental sculptor Thomas Banks RA (1735-1805). She was clearly provided
with a more than adequate education, evident in known work which she published.
In 1799 Lavinia married Edward Forster (1769-1828) who like her father was from
a fairly modest background but talented and ambitious. Forsaking the Law, Forster
became a clergyman in 1796 but as well as becoming a fashionable London
preacher launched publishing ventures which produced stylish (and expensive)
illustrated editions of classical works in their original language or
translated. Eventually, the costs outran the revenues and what my sources refer
to as “financial difficulties” led him in 1815 to quit London for (cheaper)
Paris, taking with him wife and children.
By that date, Lavinia had at least two pieces of published work to her credit. In 1802, she provided the numerous, fine-line illustrations for her husband’s edition (in original Greek) of the Anacreon or to give it its full title, Anacreontis Odaria ad textus Barnesiani fidem emendate, which was successful enough to merit a second edition in 1813.
In
Paris, Edward Forster started out again as a preacher but more likely solved
his financial problems when in 1818 he secured the post of Chaplain to the
British Embassy, a post he retained until his death in 1828. By the time these
two letters were written he was already in poor health and no mention is made
of him by Harriett. I hazard that an energetic Mrs Forster had turned their
home into a pension-cum-educational establishment for paying guests; a main
attraction would have been the access to Parisian cultural and social life
which she was able to supply, relying both on her backgrounds as daughter of
Thomas Banks and her connection to the British Embassy. A nice vignette in
Hariette’s letter describes the presence of a seven-year-old child, Clelie, who
happens to be the daughter of Giuditta Pasta (1797-1865), an outstanding
operatic soprano currently performing in Paris. Bellini wrote a lead part of La
Somnabula intended for her and Donizetti the title role in his Anna
Bolena. Other characters appearing in the letters include Francois Gérard
(1770-1837), first painter to the French king.
Lavinia
Forster had in her possession works by her father and later in life donated or
bequeathed them to a number of institutions including the Royal Academy, Sir
John Soane’s Museum, the Victoria & Albert Museum. Many more of her
father’s works (and perhaps also her own) passed down in her family and are now
held institutionally.
But
I close on a small note about material realities. Both letters were written in
Paris but were carried by hand to London before being posted at Charing Cross
for local delivery, thus saving expense. But who carried them? The first letter
is annotated bottom left in a crabbed hand “E Forster”. At this period, when
all letters were handwritten, it was common for government officials to
indicate their responsibility and also to claim legitimate free of charge use
by writing their name or initials bottom left. This letter was most likely carried
from Paris to London by a British Embassy courier who would have arrived from a
Channel port at the coach station of Charing Cross before turning the corner
down into Whitehall. The second letter is not endorsed but was also carried
privately using the same route.
Transcription
first letter
Addressed
to: Major Eliot 23 Bedford Place
Russell Square
No
dateline but written in Paris
Endorsement:
E Forster [Edward Forster, Chaplain British Embassy Paris]
Posted
in London at the Charing Cross office, charged 2d, London transit mark
A[after]NOON 24 FE 1826
Docketing
note: Harriet & Eliza Feby 1826
My
dear Papa
You
need not make yourself uneasy about the letter there was not the least hint
given about money it was in French and about different things Paris news &c
the only part that in any way related to our staying was that in speaking of
Paris I said that we found Mrs Forsters family so pleasant & Mrs F herself
such an agreeable woman that we should regret very much leaving her, that you
had not yet spoken to us upon the subject but that we were in daily expectation
of hearing from you, it was written some time ago soon after Mrs Forster left
France, I didn’t [?] send it to you as I did not then owing to your long
silence know whether you were at Manchester or in London. It must have been
received some time as I gave it to Mrs Forster to send nearly a month ago. What
do you mean by saying that you think of taking a house out of London for us all
to live in pray explain this to me in your next letter are we to be with you
alone or with mamma or grand papa We
will endeavour to be as sparing as possible in cloaths washing &c you will
find our cloaths come to considerably less this year as we shall not have to
buy leghorn hats pelisses silk gowns & dress gowns for me as we have a good
stock which will last a long time, it is that sort of things which are so
expensive, we shall now only want shoes & such kind of necessary articles
of which we shall use as few as possible I have been thinking about the masters
& think there are several which we might do without for instance there is a
master for Geography & the globles
[?] &c Dancing is no longer necessary I suppose you are not particularly
anxious for us to figure in a ball room like opera dancers we know a great
number of steps & can dance at least like gentlewomen also I think I might
do without Italian Emma [Mrs Forster’s daughter] & Mrs Forster are very
good Italian scholars & I do exercises with them every day with the master
I only read for the pronunciation There then remains the Harp piano
singing & drawing masters
I should feel sorry for Eliza [ her sister] to leave off the piano as
she is now making great progress & I think has some talent for that as well
as for singing & certainly has a
fine voice, for myself drawing & the Harp is what I should give up with the
most regret, but do as you please dear Papa what ever you decide upon for us to
leave off, I will practice by myself, let me hear soon,
Last
night I was at a concert at Mr Jennings[probably Robert Jennings,
London-based publisher of books about Paris] & he desired to be
remembered to you, we have been to two dances this week & have just received
an invitation to a very grand ball at Monsr. Lafitte’s the banker but of course
we shall not go, as it is on Sunday. I will set about the drawing for you as
soon as possible, I am now finishing one for Mrs Forster’s birthday she will
not receive bought presents but we all give her a trifle of our own making. It
is copied from a beautiful lithograph called La retraite coupée between a Turk & a French Dragoon [a famous
work by Godfroy Englemann, contemporary and prominent Parisian lithographer].
With the master I draw from a bas relief of the nine muses, which has been lent
to me, we have also a jointed figure of a Roman Senator which we have draped in
robes to study drapery from, Eliza begins to draw Landscapes in seppia very
pretty in a good, bold style but I do not think that [she] has much idea
of figures, with the money [seal torn here, probably which] you were so kind to send me I have bought a
small [torn here] of books which are to me invaluable chiefly treatises
on … French language, the participles, verbs &c which cannot be had in
England & without which it is almost impossible to have a complete
knowledge of the language & write it elegantly. We have also bought a few
of the best French authors
In
a different hand:
Harriet
is obliged to attend the harp mistress & therefore begged me to finish this
letter for her I believe she has nothing more to say nor have I either
excepting our kind love to all &
Believe
me my dear papa your very affectionate child Eliza Eliot
Transcription
second letter
Addressed
to: Major Eliot 23 Bedford
Place Russell Square
Datelined:
Paris April 25th 1826
Docketing
note: Harriet 25th April 1826
Carried
by hand from Paris to London and put into the post at Charing Cross, dated
postmark 2 MY 1826
My
dear papa
It
is very long since we have heard from you, more than a month, I think you must
have left town Aunt Eliza mentioned in her last letter that you had been
staying some time at Blackheath. Mrs Forster gave us a few days ago a sovereign
which you had begged her to keep till we wanted money, it could not have come
more opportunely for I was actually soulless, we both thank you very much for
it dear Papa. [The previous letter refers to Mrs Forster leaving France
presumably for a visit to England]
I
have not much to tell you for almost all the gaieties of Paris are over, Aunt
Eliza tells me that a Mr Schalch of the Artillery [John Schlach, Major in
the 6th Battalion of the Royal Artillery ….] is coming to Paris
in a short time & will bring a letter from Uncle Frank by way of an excuse
to call; do you know any thing of him? We have had beautiful weather here for
this last week it is just like summer we went yesterday to see the models for a
monument to be erected to the memory of
General Foy they are all by different artists & exposed in the bazaar for
the public to give their opinion, they have been there about a fortnight &
I believe the election is to be made tomorrow. I see by the journal that the
Duc de Rivière capitaine des Gardes du Corps is appointed to succeed the Duc de
Montmorenci as governour of the little prince. We have also had grand
illuminations here on account of the bill for the droit d’ainesse having been
rejected it seems to be a subject of universal joy the whole nation was so much
against it [ a Crown-initiated bill to restore the pre-revolutionary
inheritance rights of first-born children, intended to strengthen the
traditional aristocracy] . Your drawing is finished but the difficulty is
getting it to Manchester should you be there. I may soon have an opportunity of
sending it to London but it is a chance if I meet with anyone going from here
to Manchester. Mary [ possibly another sister?] continues to practice very
assiduously and is learning a piece of Kalkbrenner [Friedrich Kalkbrenner,
German composer long-term resident in Paris] I suppose you have heard the
music of the Dame Blanche it is very much admired but does not strike me as
anything remarkable [ now a received view of La Dame Blanche , a comic opera of
the French composer François-Adrien Boieldieu] - every thing gowns capes
ribbons gentlemen’s pantaloons &c are
à la Dame Blanche as they were formerly à la Jocko [Jocko, ou le
Singe du Brésil, a melodrama which in Paris starred the famous acrobat Charles Mazurier as
the ape Jocko] There is a new piece preparing at the porte St Martin [ Théâtre
de la Porte Saint-Martin ]
under the direction of Mr [Thomas] Cooke the London actor, it is from
the story of Frankenstein the scenery & dresses are to be very good &
it is expected to have a great run [it did; Cooke played the Monster in
Le Monstre et le Magicien for eighty successive nights].
While I am writing this letter Madame Pasta’s little girl Clelie is standing by
my side cutting out paper dolls, she frequently spends the day here being at
school in Chaillot – it seems so extraordinary to hear her talk Italian
continually but she understands French perfectly, she is about the size of
Belle & would be very handsome if her eyes looked the same way. The fine
collection of Pictures Statues & in short – the whole museum of the late
Baron Denon [Vivant Denon] is to be sold by auction the beginning of
next month, the catalogue only consists of two large volumes I was looking over
it this morning & thinking that you & Mr B.O. Brydon would like to have
Fortunatus’ wishing cap & inexaustible
purse, it is said to be the finest collection in France & every one
regrets that the French government does not buy it entire, it is really a pity
to seperate such a large collection which the Baron has spent the greatest part
of his life in assembling. A few days ago I accompanied Mrs Forster to the atelier
of Gérard the king’s painter he was working at a picture of the Dauphin but it
was so little advanced that we could not form any opinion respecting it. I was
very much struck by a portrait by him of Marshall Beresford [ Viscount
Beresford, Marshal in the Portuguese Army during the Napoleonic Wars] it
was at a little distance like a living head, there was also a portrait of
Gerard himself by Thomas Lawrence. We have been to the Chapel in the Tuilleries
again & saw much better than we did the last time we were there, we had
tickets for the gallery & stood next to the Dames d’Honneur so that we saw
the royal family during the whole of the service after it we walked through the
Salle des Maréchaux where all the officers noblemen &c were waiting to be
admitted to the king’s presence the Duke d’Angoulême passed close to us
accompanied by Prince Talleyrand & the Duke de Biron Gontaut [usually
rendered Gontaut de Biron] If it is fine on Monday we are going
with a large party to a review on the Champ de Mars, I expect it will be very
hot & dusty.
Since
I began this letter I have heard from Aunt Eliza she mentions John’s departure
for Ceylon and a variety of other circumstances with which I daresay you are
acquainted. Baron Denon’s collection is to be viewed today tomorrow & the
day after & the sale begins on the 1st of May. The Forsters are
going on Friday night to a grand amateur concert give for the benefit of the
Greeks [whose War of Independence from the Ottoman Empire was faltering at
this time] as the tickets are a napoleon each of course I do not think of
it. There is a grand ball at the Ambassador’s next week and Mrs Forster regrets
very much not being able to take me, she desires me to ask you if you do not
know some one who could introduce me to Lady Granville [wife of the British
Ambassador in Paris, 1824-1828] & could write a letter of introduction
for me, do pray papa try and do something for me it would be such an advantage
some of the Phillippsons know them now do not forget for Mrs Forster charged me
to tell you and let us hear from you soon you have not written for so long. God
bless you dear Papa.
Your
affte Daughter Harriett Eliot
References
Wikipedia:
Thomas Banks (sculptor)
Wikipedia:
Edward Forster (writer)
Wikipedia:
François Gérard
Wikipedia:
Giuditta Pasta
Wikipedia:
Vivant Denon
Wikipedia:
Thomas Cooke (actor)
Wikipedia: Godefroy Engelmann
Wikipedia: Friedrich Kalkbrenner
Wikipedia: La Dame Blanche
Wikipedia : Théâtre de la Porte
Saint-Martin


